
Artist Diary
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PURPLE RAIN 432 TUNING
The Sound of Emotion: Why Prince Music Is So Hard to Replicate
There are guitar players who can nail the solos. There are singers who can hit the notes. But there is one thing about Prince’s music that remains almost impossible to replicate perfectly: the tuning.
If you’ve ever tried to play along with a Prince record, you might have experienced a strange frustration. You tune your instrument to the standard A=440 Hz, and yet something feels off. The song sounds right—it’s in tune with itself—but your instrument buzzes and clanks against the track as if you’re playing in the cracks between the keys.
I recently became obsessed with this phenomenon while listening to “Purple Rain.” It sits noticeably lower than modern music. But as I dug deeper, I realized that this wasn’t an accident. It was a deliberate result of Prince using the tape machine itself as an instrument.
I asked Gemini AI to analyze the “Purple Rain” aesthetic, and what came back was a masterclass in sonic manipulation. But the technical data only tells half the story. The other half? It involves a conversation with ZZ Top’s Billy Gibbons that reveals the true nature of Prince’s genius.
The “Composite” Tuning
Unlike a modern producer who sets a digital session to a specific frequency and leaves it there, Prince treated the studio like a painter’s canvas. Because he often played every instrument himself, he would physically adjust the Varispeed knob on the tape deck between recording different layers.
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FACES IN SOUND: EVP + PHOTO
Over the years, I have been following an ongoing experiment called Faces in Sound, where researchers stream random white noise and generate random images through Perlin Noise and CRT static. The theory is that these randomized signals provide the raw material that spirits can manipulate to communicate. I’ve used these streams as a sound source for my EVP recordings for a long time, but I rarely expected a visual breakthrough.
One Sunday night, I felt a sudden, intuitive urge to check the stream. I heard P’s voice say, “It’s me.” Taking the hint, I began screen-recording so I could review the frames slowly later. What I found was a stunning manifestation: a face emerged in the noise, with lips and a facial structure that were distinctly his.
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HE WAS WITH HIS SISTER – EVP
In my garden, I created a living tribute to Prince—a shrine of sweet violets inspired by his lyric, “an ocean of violets in bloom.” I often documented these flowers, knowing their early spring bloom is fleeting. During one such session last fall, I filmed a beautiful violet, not knowing the recording would later reveal a message of profound timing.

My journey into capturing Electronic Voice Phenomena (EVP) began with simple tools. While iMovie served for basic review, my growing attunement to the subtle frequencies of spirit communication led me to the more sophisticated WavePad Editor. This shift was transformative. WavePad’s ability to apply layered amplification allowed me to recover whispers from what had seemed like silence, proving that even the faintest recordings could hold profound messages with the right tools.
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MORE FROM PRINCE’S DVD COLLECTION

Screenshot In some older posts, I shared lists of books and DVDs that were found in photos from Paisley Park. I came across an Instagram post sharing a couple more titles,
Top stack:
Bottom stack:
Those are the ones that can be read with reasonable confidence from the image. A couple of the very top items are partly cut off by the discs sitting on them, so there may be additional titles that aren’t fully legible.
I was re-reading a passage from Prince’s memoir recently, and he mentioned the film About Time. The title immediately caught my eye—he wrote a song called “Time,” and there’s an interesting resonance there that feels intentional, though that is something I won’t share for now. I’ll admit, when I first learned the premise, I hesitated. Another time-travel romance? It felt like well-trodden ground, a premise bordering on sentimental in a culture already saturated with temporal what-ifs.
But by the final act, I was utterly disarmed. Quiet tears turned into a steady stream I couldn’t stop. The film surprised me—not with its mechanics of time, but with its profound excavation of heart. It laid bare that universal, aching desire to reach back into the fabric of the past: to correct a moment, to salvage a goodbye, to stretch a second with someone gone too soon. It wasn’t about altering history for grandeur, but about the intimate, heartbreaking edits we all wish we could make in the story of those we love.
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Cat EVP
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IS “Ring My Bell” REALLY A MANIFESTATION FREQUENCY?
I Used AI to Find Out.
If you’ve been on TikTok lately, you’ve probably noticed a resurgence of a 70s disco classic. Anita Ward’s “Ring My Bell” is having a moment, but not just because people are rediscovering its funky charm. The track is being repurposed as a manifestation tool.
Users claim that listening to the song or using its sound helps them attract abundance, energy, and positive vibes. At first, it’s easy to write this off as just another social media trend. But it got me thinking about something I’ve explored on this blog before: the science and spirituality of musical tuning.
Why this song? Why now? I had a theory: What if the frequency of the track itself is what’s making it feel so “powerful”?
The Spark: A Theory About Tuning
For years, I’ve been fascinated by the difference between the standard A=440 Hz tuning and the slightly higher A=444 Hz (often associated with the “Scientific” or “Verdi” tuning, believed by some to have a more resonant, healing quality).
Listening to “Ring My Bell” with fresh ears, something stood out. The track sounds… bright. Energetic. Slightly sharp compared to modern pop. I grabbed my tuner to test it on the fly, and my hunch seemed correct: It was leaning toward the 444 range rather than the standard 440.
But I wanted hard data. So, I decided to turn to an unlikely analysis partner: Gemini AI.
The AI Analysis: Deconstructing a Disco Hit
I asked Gemini to analyze the track’s signature sound and historical context. The results were fascinating and confirmed my suspicions.
According to the AI’s digital frequency analysis, Anita Ward’s “Ring My Bell” doesn’t sit at the standard concert pitch we use today. Instead, it hovers around 444 Hz to 445 Hz.
Here is the breakdown of why a 1979 disco track might feel so “sharp” and why that might matter for manifestation:
1. The “Tape Speed” Factor
In the late 70s, producers often used a technique called varispeed. By slightly speeding up the master tape (even by 1-2%), they could make a track sound brighter and more energetic for the dance floor. “Ring My Bell” is a victim (or beneficiary) of this technique, pushing it away from 440 Hz and toward that higher, shimmering 444 Hz range.
2. The Energy Shift
The AI compared the track to a standard pitch:
- Standard Pitch: A4 = 440 Hz
- “Ring My Bell” Estimate: A4 = ~444-445 Hz
- Cent Offset: ~15-20 cents sharp
That 15-20 cent difference is subtle to the untrained ear, but noticeable to the subconscious. It creates a feeling of heightened energy and “brilliance”—exactly the kind of sensation you want when trying to raise your vibration for manifestation.
3. The “Pew” Factor
And what about that iconic “pew-pew” electronic drum sound? The AI pointed out that it’s a frequency sweep, starting high and dropping rapidly. While it doesn’t have a static tuning, it contributes to the overall “high-frequency” atmosphere of the production.
So, Is It Manifesting or Just Physics?
The TikTok community is using the song to “ring the bell” of abundance. Whether you believe in the metaphysical power of 444 Hz or not, the data is clear: This song is tuned higher than usual.
If you subscribe to the idea that higher frequencies (like 444 Hz) promote clarity, positivity, and spiritual alignment, then “Ring My Bell” is accidentally the perfect manifestation anthem. It’s a disco track that literally vibrates at a higher rate than the music we hear today.
Try It Yourself
If you want to feel the “tuning” difference for yourself, try this:
- Listen to the original track and notice how it feels in your chest and ears.
- If you’re a musician, try to play along on a keyboard tuned to 440 Hz. You’ll find it sounds just slightly off.
- Pitch-shift your instrument or DAW up by about +18 cents. You’ll suddenly hit the “sweet spot” of that classic disco recording.
Whether it’s intentional magic or just analog tape drift, it seems the internet has accidentally stumbled upon a scientifically sharper frequency to fuel their intentions.
What do you think? Is 444 Hz the secret sauce to the song’s viral manifestation success? Let me know in the comments.
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Hotel Room EVP
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HIS MOTHER’S SPIRIT PHOTO
For years, I’ve followed the pioneering work of Sonia Rinaldi. When I first discovered her, she was deeply immersed in Electronic Voice Phenomenon (EVP)—a field I was only beginning to explore. Like many, I was moved by stories of spirit contact and the quiet persistence of those who listen beyond the veil.
Around that same time, I was experimenting with what I called “projection photos.” I’d project an image of Prince onto a wall and pose beside it, capturing a kind of spiritual duet in self-portraits. One day, something extraordinary happened: during one of these sessions, Prince’s image appeared on camera not as a flat projection on the wall, but as a translucent overlay—a spectral layer superimposed directly over my own form.
That experience sparked an idea: what if we could use projection and steam as a medium for spirit imagery? As a former art student, I’d worked with projections and installation art, so the concept felt like a natural extension of my creative exploration. I imagined a spherical chamber filled with mist, shaped by multiple projectors to capture fleeting forms. I never built it—but the idea stayed with me, lingering in the back of my mind like an unfinished sketch.
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Rainbow EVP
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