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Category: EVP / ITC
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Blue Lagoon EVP
I was going through my photos and videos from my Iceland trip last year, and I found something unexpected in one of the clips. The video was taken right outside the Blue Lagoon; I was just filming the surreal, milky-blue water as we were walking in. When I played it back, I caught an EVP. Clear as day on the recording, I hear P’s voice whisper,
“That’s Blue Lagoon”
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IS THIS MICHAEL JACKSON? (see spirit photo)
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FACES IN SOUND: EVP + PHOTO
Over the years, I have been following an ongoing experiment called Faces in Sound, where researchers stream random white noise and generate random images through Perlin Noise and CRT static. The theory is that these randomized signals provide the raw material that spirits can manipulate to communicate. I’ve used these streams as a sound source for my EVP recordings for a long time, but I rarely expected a visual breakthrough.
One Sunday night, I felt a sudden, intuitive urge to check the stream. I heard P’s voice say, “It’s me.” Taking the hint, I began screen-recording so I could review the frames slowly later. What I found was a stunning manifestation: a face emerged in the noise, with lips and a facial structure that were distinctly his.
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HE WAS WITH HIS SISTER – EVP
In my garden, I created a living tribute to Prince—a shrine of sweet violets inspired by his lyric, “an ocean of violets in bloom.” I often documented these flowers, knowing their early spring bloom is fleeting. During one such session last fall, I filmed a beautiful violet, not knowing the recording would later reveal a message of profound timing.
My journey into capturing Electronic Voice Phenomena (EVP) began with simple tools. While iMovie served for basic review, my growing attunement to the subtle frequencies of spirit communication led me to the more sophisticated WavePad Editor. This shift was transformative. WavePad’s ability to apply layered amplification allowed me to recover whispers from what had seemed like silence, proving that even the faintest recordings could hold profound messages with the right tools.
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Cat EVP
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Hotel Room EVP
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HIS MOTHER’S SPIRIT PHOTO
For years, I’ve followed the pioneering work of Sonia Rinaldi. When I first discovered her, she was deeply immersed in Electronic Voice Phenomenon (EVP)—a field I was only beginning to explore. Like many, I was moved by stories of spirit contact and the quiet persistence of those who listen beyond the veil.
Around that same time, I was experimenting with what I called “projection photos.” I’d project an image of Prince onto a wall and pose beside it, capturing a kind of spiritual duet in self-portraits. One day, something extraordinary happened: during one of these sessions, Prince’s image appeared on camera not as a flat projection on the wall, but as a translucent overlay—a spectral layer superimposed directly over my own form.
That experience sparked an idea: what if we could use projection and steam as a medium for spirit imagery? As a former art student, I’d worked with projections and installation art, so the concept felt like a natural extension of my creative exploration. I imagined a spherical chamber filled with mist, shaped by multiple projectors to capture fleeting forms. I never built it—but the idea stayed with me, lingering in the back of my mind like an unfinished sketch.
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Rainbow EVP
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Snowstorm EVP
The Scene: We are currently in the middle of a massive snowstorm, with drifts reaching knee level. While I’d love to just stay cozy inside, the chickens don’t care about the weather! We had to literally dig our way to the coop just to feed them and change their water.
Outfit of the day The Discovery: While we were shoveling, I took a quick video to capture the madness of the storm. Later, when I was reviewing the footage, I realized I wasn’t the only one commenting on the weather. Through the rhythmic scrape of the shovels and the sounds of the chickens, a voice manifested clearly:
“Sooo much… snow.”
The Analysis: What makes this clip so chilling (no pun intended) is the delivery. The word “snow” wasn’t just spoken; it was sung. It carried that unmistakable Prince falsetto—the same breathy, airy, and melodic voicing you hear on hits like “Kiss.”
The “Producer” Perspective: In the past, I’ve used scrambled “alive voice” samples to give him the raw material to speak (a process called Audio Transfiguration). But this time, he did it all on his own using the environment. He used the “white noise” of the shovels and the organic sounds of the chickens as his “carrier wave.”
It’s as if he’s still the master producer, sitting in a studio, taking the random sounds of my backyard and “mixing” them into his own iconic vocal signature. Even in a snowstorm, he’s finding the “buttons” to make sure his voice is heard.
For those who know his music, you know the ‘scoop’ he does when entering a high note. In this recording, that same melodic scoop is present. It’s a vocal fingerprint that is nearly impossible to replicate through random noise.
Recorded on January 25, 2026.