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For years, I’ve followed the pioneering work of Sonia Rinaldi. When I first discovered her, she was deeply immersed in Electronic Voice Phenomenon (EVP)—a field I was only beginning to explore. Like many, I was moved by stories of spirit contact and the quiet persistence of those who listen beyond the veil.
Around that same time, I was experimenting with what I called “projection photos.” I’d project an image of Prince onto a wall and pose beside it, capturing a kind of spiritual duet in self-portraits. One day, something extraordinary happened: during one of these sessions, Prince’s image appeared on camera not as a flat projection on the wall, but as a translucent overlay—a spectral layer superimposed directly over my own form.
That experience sparked an idea: what if we could use projection and steam as a medium for spirit imagery? As a former art student, I’d worked with projections and installation art, so the concept felt like a natural extension of my creative exploration. I imagined a spherical chamber filled with mist, shaped by multiple projectors to capture fleeting forms. I never built it—but the idea stayed with me, lingering in the back of my mind like an unfinished sketch.
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The Scene: We are currently in the middle of a massive snowstorm, with drifts reaching knee level. While I’d love to just stay cozy inside, the chickens don’t care about the weather! We had to literally dig our way to the coop just to feed them and change their water.

The Discovery: While we were shoveling, I took a quick video to capture the madness of the storm. Later, when I was reviewing the footage, I realized I wasn’t the only one commenting on the weather. Through the rhythmic scrape of the shovels and the sounds of the chickens, a voice manifested clearly:
“Sooo much… snow.”
The Analysis: What makes this clip so chilling (no pun intended) is the delivery. The word “snow” wasn’t just spoken; it was sung. It carried that unmistakable Prince falsetto—the same breathy, airy, and melodic voicing you hear on hits like “Kiss.”
The “Producer” Perspective: In the past, I’ve used scrambled “alive voice” samples to give him the raw material to speak (a process called Audio Transfiguration). But this time, he did it all on his own using the environment. He used the “white noise” of the shovels and the organic sounds of the chickens as his “carrier wave.”
It’s as if he’s still the master producer, sitting in a studio, taking the random sounds of my backyard and “mixing” them into his own iconic vocal signature. Even in a snowstorm, he’s finding the “buttons” to make sure his voice is heard.
For those who know his music, you know the ‘scoop’ he does when entering a high note. In this recording, that same melodic scoop is present. It’s a vocal fingerprint that is nearly impossible to replicate through random noise.
Recorded on January 25, 2026.
While clearing out my desktop, I found this random EVP clip from 2021. It is one of those clips that I recorded with a scrambled sound sample of P’s voice running in the background. In this clip, he formed the words, “Push a button”.
I wonder what the context of that was? Maybe he was trying out something new. It fascinates me to know that they also have technology over there too. This clip turned out so clear. It sounds like him talking on a mic inside a sound booth.
Recorded on June 9, 2021.
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